Musician
The concept of this piece was to write for an imagined game cue, of which I envisaged a heroine set on a journey to save her love.
The recording session was done in short sections and then later pieced together. I composed 3 different themes, all with layers of woodwind, brass, and strings.
I was very fortunate to have a new chamber piece of mine, ‘Thin Boundaries’ premiered in a concert last week. It was an incredible concert curated by my friend and fellow trumpeteer Allison Wright. An exceptional display of new music played by incredible young musicians.
LT x
Raw live footage of ‘Evolution’ composed and conducted by Louisa Trewartha.
Recording session at Radio Bulgaria, Sofia on Sunday 22nd May, 2016.
More coming soon…
Melbourne based composer and freelance musician Allison Wright presents an evening of chamber music inspired by the sound of the emerging contemporary classical music scene in New York. In an exciting program featuring brand new Australian compositions and premieres, kammervolk will explore both the divide and intimacy between classical and pop music.
Bringing together some of Australia’s finest young artists and instrumentalists, kammervolk will be a celebration of chamber music and collaborative art.
Featuring:
Allison Wright: “Two chapters from the same story”, featuring artwork by Minna Leunig and poetry by Jacob Sutherland
Carolyn Schofield: “Face-Up”
Judd Greenstein: “Clearing, dawn, dance” – Australian premiere
Tilman Robinson: “Orison”
Lachlan Hughes: “Liturgy”
Curtis Reardon: “Glimpses of the path”
Louisa Trewartha: “Thin boundaries”
and a few sneaky extras…
Featuring the instrumental talents of:
Flute – Tamara Kohler
Clarinet – Kenny Keppel
Trumpet – Allison Wright
Violin – Natasha Conrau
Viola – Anthony Chataway
Cello – Jenni Mills
Piano/Ondes Martenot – Jacob Abela
Percussion – Kaylie Melville
Doors open 30 minutes before show.
For bookings and info, head to www.trybooking.com/KZAH or phone 9417 1983
Adult $22
Concession $16
Under 25’s $10
110 piece Orchestral Recording Session at Radio Bulgaria:
On May 21st & 22nd, as part of my Masters course at Pulse College we recorded 3 minute cues of our original music. We were given the option to conduct, so this was my first experience conducting an ensemble of this size.
An absolutely unforgettable experience.
In late March we had a recording session in Windmill Lane, Studio One where we recorded a scene conducting to click.
As part of the assignment we had to compose the work based only on the timing notes that had been written by a classmate, without being able to watch the actual scene.
I was given a dream scene from Shutter Island. Here is my re-scoring:
Recording session at Windmill Lane, Studio 1- April 1st, 2016.
The task was to conduct to a streamer that had been inserted in to a scene of our choosing. The music needed to include 20th Century compositional techniques, written for a 25 piece string ensemble. I selected a scene from ‘A Beautiful Mind’.
Snippets from the rehearsal and a mixed final take from my recent studio conducting assessment for the Masters in Scoring for Film and Visual Media- Pulse College, Dublin.
This work was not composed for film, rather as a stand alone piece.
I’m very much looking forward to hearing my new trio performed by Ensemble Goldentree.
SUNDAY 13 MARCH / 2:30 PM
75 Reid Street, North Fitzroy
Trewartha – Memories for a Stranger
(world premiere)
Pearson – New work
(premiere)
In the week of International Women’s Day Ensemble Goldentree will celebrate the contributions made to chamber music by women, and explore the stories of these composers, their works and performers.
Traversing generations and continents this passionate all-female ensemble will present the world premiere of two new works by Melbournian composers Louisa Trewartha and Natasha Pearson alongside influential female composers throughout history.
Complimentary afternoon tea served during the performance.
Adult $20 / Concession $15
